We all have day jobs here at the Glow. [
Ed.: Or night shifts.] Mine is at the UCLA
Daily Bruin,...
Jan 24, 2008
Oh, irony. Take Filter Magazine. Their choice of nom de plume is fitting not because it’s a corporate machine attempting...
Jan 24, 2008
It’s hard to say what makes a truly
important album. A boundary-pushing producer? A multinational set of global influences? Being...
Jan 24, 2008
Foley art (the attempt to create and mimic natural, everyday sound effects on film) is one of the most deceptive...
Jan 23, 2008
There are a couple of very brief moments on "Amidst Things Uncontrolled," the opener to Mark Templeton's debut
Standing On...
Jan 23, 2008
Whoever said that pop songs need to be no more than three-and-a-half minutes evidently forgot to tell Studio, the Swedish...
Jan 23, 2008
There aren't a lot of actual
bands that make music this close to electronica. Music this tightly produced usually ends...
Jan 23, 2008
From Here We Go Sublime's synthesizers hit all the right pleasure centres; I like
Chromophobia's kitchen sink approach to source...
Jan 23, 2008
Alan Sparhawk’s personal breakdown, which cut short the tour for Low’s last album,
The Great Destroyer (2005), has become about...
Jan 23, 2008
